REVIEWS:
Confessions of a Dope Dealer
James Kent
- Publisher of TRIP Magazine
A long strange trip from cover
to cover
In Confessions of a Dope Dealer,
we follow prototypical disillusioned white-boy Sheldon Norberg
through his not-so-illustrious career as a small-time marijuana
and LSD 'connect' in the crazy world of California in the
early '80s. Starting off as the high-school weirdo who just
wants to get everyone high (thanks to the UC Berkeley connections
of his older brother Dave), Sheldon partakes on the ever escalating
adventure of 'running the party' wherever he happens to be,
fat doob, clean hits, and screaming nitrous tank in his meticulously
fucked-up hands the whole way. From high-school hijinks to
college frat life, Dead show to Dead show, massive LSD trip
to massive LSD trip, pot growing season to pot growing season,
Sheldon's own sense of responsibility to 'keep the party alive'
grows heavier and more extreme with each hair-raising turn,
leaving a trail of broken-hearted women, destroyed vehicles,
burnt-out friends, and dead dogs in his ever-party hyper-paranoid
wake. He eventually turns from college drop-out to full-time
Humboldt country grower, a life that keeps him high until
the government choppers and a psycho neighbor come to take
it all away from him.
Confessions of a Dope Dealer is nothing if not a
page turner. Each story of good times gone bad escalates with
a psychotic rhythm that keeps the reader screaming for some
kind of lesson or insight to be learned by the author, some
little gem wisdom that he could use to wake up and turn his
life around, but the party just keeps going full tilt boogie.
The zany cast of characters which fill out this cautionary
tale are the stuff of drug burnout legend: drunks who pass
out in the mud, Deadheads running around naked, psychotically
paranoid weed growers, clueless cops, acid gurus turned heroin
junkies, coke tweakers, goofy stoners, and, of course, good
girls gone bad. Each section of Sheldon's big trip are set
between musings on the five elements of Chinese medicine:
wood, fire, earth, metal, and water. Each stage sheds new
light on another level of Sheldon's struggle to undo the damage
he's done to his own psyche with drugs, or how he manages
to dig himself deeper and deeper with each massive dose. Sheldon
is not necessarily a likeable character, nor do his actions
reflect those of a well-meaning, self-aware individual, but
we can't help feeling sympathy for him in his Quixotic quest
to keep the high alive at any cost.
While the book never has a final epiphany where Sheldon stops
and says, "and that's how I learned my lesson," and the moral
of the story remains murky at best (drugs fuck you up?), there
are two chapters at the end in a section named "Yin &
Yang" where the author reflects on his life and lays out the
most eloquent examination of the wonders and dangers of drug
use that I have ever read. These are the insights I was waiting
for, packed solidly into a critique of both the self and culture,
observations that could only be made by someone who 'lived
the adventure' of being an American dope dealer. Congrats
for surviving the trip Norberger, here's to better highs to
come.
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